Jesus's journey to
Golgotha: the Stations of the Cross
For a Catechesis class at St. Michael's Croydon,
28th
February 2019.
Focus:
New English Hymnal, Stabat
Mater;
The
Stations of the Cross; Rood, St.
Michael's Croydon.
The
Stations of the Cross are a series of fourteen images or depictions
of Christ, following His journey from being handed over by Pilate to
Christ's burial in the tomb after being crucified. These images are
used in devotion by many Christians, in the form of a spiritual
pilgrimage both inside and outside the Church building, with prayers
and contemplation about what Christ has achieved for us. This
devotion is especially practised during Lent and Holy Week.
Most
of these stations are Biblically sourced; however, one that is not is
station number six - and I would like to focus on this, and to
consider what (if any) impact the station's lack of Biblical
foundation may have for the practising Christian. The sixth station
remembers how a lady called Veronica, during a beautiful display of
adoration at Jesus's passion, wipes the face of Jesus with her towel.
Jesus, who is fully human as well as fully divine, is visibly
suffering during His journey to Golgotha, and Veronica recognises
this and helps Him - which He freely accepts. The towel then became
imprinted with the Messiah's face on it, upon Christ handing it back
to Veronica.
But
does the fact that this account is not in the Bible affect our
understanding or devotion compared with stations that are in the
Bible? Should it? To me, in a word, no. Of course, the Holy Bible is
God's word - a revelation to us by God, the divine author, through
human writers, and as such we should always recognise its authority.
But that doesn't take away from the authority of God's revelations to
us that are manifest in other ways; two of these other such ways
being reason and tradition. While still acknowledging the priority of
Scripture, the importance of integrating Scripture, tradition and
experience together was first clearly articulated by the sixteenth
century Anglican priest Richard Hooker; and his legacies are of great
value to us today.
If
we want to be reminded of exactly how Jesus instituted the Eucharist,
or of some ways in which we can help the poor (such as feeding the
hungry), or loving one another, do we look to the Bible? Of course we
do; Jesus teaches us clear guidance on this, seen throughout the
Gospels (such as in Matthew 22-25). But what about dealing with
climate change and global warming? Yes, we have a duty to look after
the world as it's stewards (see Genesis 1-2), but what of the
scientific details? And if anyone is unlucky enough to have their
bank account or computer hacked, how do we go about solving that by
looking at the Holy Bible? Not as easily.
It
is in instances such as these where the Holy Bible sometimes doesn't
give us a clear answer to a question or problem. But, be it by direct
revelation by Him, or indirectly through others, God still can. God
is omniscient; He is all-knowing. He has given us many other methods
of discernment - especially through our use of reason, a God-given
gift, freely given to us - and which sets us apart as unique when
compared to other animals. It is this reason that is used together
with the interpretation of Scripture when discerning various teaching
and doctrinal aspects of the Christian faith - such as the Church
councils, the liturgy of our services if they feature non-Biblical
texts, and more. And thus, because of this, the inclusion of the
sixth station of the cross is fully correct; while it may not be
Biblically sourced (unlike the other stations), it still greatly
assists our devotion and contemplation of Christ, what He experienced
for us, and how Veronica - and we ourselves - can respond to His love
for us, with our love for Him.
The
Rood here at St. Michael's displays a portrayal of Mary the Mother of
God and the Beloved Disciple next to Jesus on the cross. They are
giving a similar response to Jesus as Veronica does in the sixth
station of the cross - a response of adoration, as they gaze upon the
peaceful yet powerful Messiah on the cross. This is the response we
might ourselves offer to Jesus, as we contemplate His passion while
praying the Stations of the Cross – adoration.
This
image is based on the account of Jesus's dialogue with Mary and the
beloved disciple in John 19:25-27, where Jesus - moments before his
death, in John 19:30 - proclaims Mary is the beloved disciple's
mother, and the beloved disciple is her son. Here, Mary - the Queen
of Heaven - is dressed in a blue robe, which is frequently how Mary
is depicted. The beloved disciple is believed by many to be St. John
the Evangelist; the writer of the Fourth Gospel may have inserted
himself into the narrative here, a literary technique often practised
by eye-witnesses, although scholars are divided on whether this is
John the Evangelist doing this here. Again, this is an image of love
- the love Jesus shows for us, and also the love that others show for
Him - and an invitation for us to love Him fully, too.
Many
of these very moving images and depictions of Christ at His passion
are powerfully expressed by the Stabat
Mater,
a thirteenth century Latin hymn for Good Friday (hymn number 97 in
the New
English Hymnal,
here set to music from the seventeenth and eighteenth centuries).
It
is a traditional hymn for the Stations of the Cross, which we can see
from the first line of verse one "At the cross her Station
keeping." It is written in F Major, the key of complaisance and
calm according to Schubart. This is highly fitting when we think of
Jesus on the cross - once he had died, His suffering was over - He
was at a full, perfect peace. He knew exactly where He was going; the
last words of Jesus on the cross were "Father, into your hands I
commend my Spirit" (Luke 23:46), and "It is finished"
(John 19:30); and even the cry of dereliction seen in the Gospels of
Mark and Matthew (where Jesus says, "My God, my God, why have
you forsaken me?") could be part of a recitation of Psalm 22 -
which concludes with joy and celebration at God's saving work.
A
great sense of calmness and peace is evoked by this hymn also by some
of the performance directions; it is suggested that the hymn is
performed "in moderate time;" that it should progress, but
not at all rushed. The events - the event - of the Paschal Mystery
ought to be fully contemplated, with nothing risking being
overlooked.
The
text of the hymn invites worshippers to engage in an act of devotion,
marvelling at the death of Jesus, just as we do when we pray the
Stations of the Cross; this is especially true of verses one through
five. We do not hear of the Beloved Disciple's response to Jesus's
death in this hymn; the focus is firmly on Mary's response. She is
"weeping," "bereaved of joy" and "deeply
grieved" in verse one, as any mother would be upon losing her
child. In verse two, her eyes are fixed on her Son, and in verse
three the worshippers are invited to "share" something of
the suffering she felt at seeing her son on the cross; this theme is
expanded in verse five, when the worshippers sing "May I bear
with her my part."
But
death is of course not the end; the resurrection follows. It is
important to remember the Paschal Mystery is the passion, death and
resurrection of Jesus - three events, yet also all one, perfect
salvific event collectively. Verses six and seven, while still
speaking of the cross, are more centred on the salvific action of
Jesus on the cross, and looking forward ultimately to "Paradise,"
seen at the conclusion of verse seven. In verse six, Jesus's wounds
"heal... enkindle, cleanse, anneal" the worshippers, and we
are thus guarded on the judgment day. We are "befriended"
by Christ, in verse seven - and into Christ.
The
Stations of the Cross, thus, are a beautiful way of engaging in
devotion and adoration of Jesus Christ, particularly during His final
hours before and at His death. But what is equally and especially
important is what happens after then - our eschatology, our eternal
future, has been made certain by His salvific action - the Paschal
Mystery, in which Christ died and rose to save us all. Thanks be to
God!
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